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Mystical
Experiences of Virginia Woolf
(1882 - 1941)
English
writer Virginia Woolf made original contributions to the
form of the novel and produced several fictional works
that continue to be widely read. To the Lighthouse,
Mrs. Dalloway, The Waves, and Orlando
are her most famous works. Much of her writing involved
experiments with the way time is experienced by the major
characters.
The
two experiences below are from a collection of her essays,
Moments of Being. Woolf gives great importance to these
experiences as they remain vivid throughout her life
and provides glimpses of a reality not typically experienced.
- First
Memory
"--I begin: the first memory.
- This
was of red and purple flowers on a black ground---mymother's
dress; and she was sitting either in a train or in
an omnibus, and I was on her lap. I therefore saw
the flowers she was wearing very close; and can still
see purple and red and blue, I think, against the
black; they must have been anemones, I suppose. Perhaps
we were going to St. Ives; more probably, for from
the light it must have been evening, we were coming
back to London. But it is more convenient artistically
to suppose that we were going to St. Ives, for that
will lead to my other memory, which also seems to
be my first memory, and in fact it is the most important
of all my memories. If life has a base that it stands
upon, if it is a bowl that one fills and fills and
fills---then my bowl without a doubt stands upon this
memory. It is of hearing the waves breaking, one,
tow, one, two, and sending a splash of water over
the beach; and then breaking, one, two, one, two,
behind a yellow blind. It is of hearing the blind
draw its little acrorn across the floor as the wind
blew the blind out. It is of lying and hearing this
splash and seeing this light, and feeling, it is almost
impossible that I should be here; of feeling the purest
ecstasy I can conceive." p.64-65
-
- Second
Memory
- "The
next memory---all these colour-and-sound memories
hand together at St. Ives---was much more robust;
it was highly sensual. It was later. It still makes
me feel warm; as if everything were ripe; humming;
sunny; smelling so many smells at once; and all making
a whole that even now makes me stop---as I stopped
then going down to the beach; I stopped at the top
to look down at the gardens. They were sunk beneath
the road. The apples were on a level with one's head.
The gardens gave off a murmur of bees; the apples
were red and gold; there were also pink flowers; and
grey and silver leaves. The buzz, the croon, the smell,
all seemed to press voluptuously against some membrane;
not to burst it; but to hum round one such a complete
rapture of pleasure that I stopped, smelt; looked.
But again I cannot describe that rapture. It was rapture
rather than ecstasy.
-
- The
strength of these pictures---but sight was always
then so much mixed with sound that picture is not
the right word--the strength anyhow of these impressions
makes me again digress. Those moments---in the nursery,
on the road to the beach---can still be more real
than the present moment....But the peculiarity of
these two strong memories is that each was very simple.
I am hardly aware of myself, but only the sensation.
I am hardly aware of myself, but only the sensation.
I am only the container of the feeling of ecstasy,
of the feeling of rapture." (pp.66-67)
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Source:
Schulkind, Jeanne. Editor. Virginia Woolf: Moments
of Being-Unpublished Autobiographical Writings,
(New York: Harcourt Brace Jovanovich, 1976), from the
chapter entitled "A Sketch of the Past" .
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